
I
will be presenting the following workshops during the Cape
Callibash 2004. The two workshops to be presented at
Riebeeck Kasteel will also be presented in my studio. The beach
and pavement workshops have the additional purpose of stimulating
public interest:-
*
Fri
16/4, 09h30-16h30:
Flourishing with Flair!
In
my studio at 100 Stella Road, PLUMSTEAD; R180, light lunch incl.
*
Tue
20/4, 07h00 - 11h00: Calligraphy on the Beach
at
Muizenberg (subject to change at short notice if the weather doesn't
oblige), R75,
breakfast and sunrise over False Bay included!
*
Wed
21/4, 09h30-16h30: Monogramme Design.
In
my studio at 100 Stella Road, PLUMSTEAD; R180, light lunch included.
*
Fri 23/4, 12h30-15h00: Pavement Writing.
Venue
to be announced (an uncrowded public space), R50.
*
Sat
24/4, 09h30-17h00: Monogramme Design.
at RIEBEECK KASTEEL.
*
Sun 25/4, 09h30-17h00: Flourishing with Flair!
at RIEBEECK KASTEEL.
Further
details regarding these workshops are provided below.
B
O O K I N G
Places
are secured in advance by the payment of the workshop fee. This
is fully refundable on cancellation if before 9 April and 50%
refundable at shorter notice.
Payment
can be made by cheque to Andrew van der Merwe, 100 Stella Road,
Plumstead, 7800
or by direct deposit to Standard Bank account
in the name of A van der Merwe, number 071402489,
Rondebosch branch, code 025009.
My phone/fax number is 021 761 4400, e-mail:
andrew@writtenword.co.za
Please
note: For
booking fees and details re. the RIEBEECK
KASTEEL
workshops, please refer to the CFC programme.
F
L O U R I S H I N G W I T H F L A I R
!
Calligraphy
must be seen as structured movement, not as static form.
It is the movement and its techniques which produce the form.
Nowhere is this plainer than where flourishes are concerned. The
whole reason why flourishes please the eye is because of the graceful
flight of hand that they suggest. The techniques of flourishing
lie at the core of calligraphy. It is my intention that this workshop
develop skills which feed into better, more confident writing.
The focus of the workshop will be on the use of flourishes in
the design of wordmarks for corporate or personal stationery and
short calligraphic compositions (prose will not be discussed).
The workshop will begin with a brief discussion of the structure
of flourishes after which we will spend some time focussing on
the techniques. These include the use of speed, hand-arm spring,
board angle, posture, etc. Some useful tips will be given. The
afternoon part of the workshop will focus on the completion of
at least one design and, with your permission, some of the results
will be put on a virtual pin board on this web site.
*
Level: All levels of experience welcome.
*
Equipment
required: Stiff nibs (eg: Osmiriod) and flexible nibs (eg: William
Mitchell, quills), Any other pens you might have (eg: Automatic
pen), Quink ink and gouache, pointed pencil, chisel edged sketching
pencil, Pentel Fine Point Correction Pen, cutter, glue stick,
plenty of scrap paper, a few sheets of quality paper (A3).
*
Please bring some company/business names, couple's names and/or
short quotes (maximum, 10 words) to work with, and any existing
examples you would like to discuss.
Here
are some relevant samples of my own work:




M
O N O G R A M M E D E S I G N
This
workshop focuses on the design of monogrammes for corporate ID,
personal stationery and wedding invitations. It is a very satisfying
challenge in design logic and teaches us a lot about the letters
we work with. The workshop will begin with a discussion of some
basic principles and some examples. Most of the day will be spent
working under my guidance on monogrammes of your choice. With
your permission, the results will be put on a virtual pin board
on this web site.
*
Level: All levels of experience welcome.
*
Equipment
required: A wide variety of writing instruments, ink and gouache,
water-colours, pointed pencil, chisel edged sketching pencil,
Pentel Fine Point Correction Pen, cutter, glue stick, plenty of
scrap paper, a few sheets of quality paper (A3).
*
Please bring some letter combinations you would like to work with
and any existing examples you would like to discuss.
Here
are some relevant samples of my own work:
C
A L L I G R A P H Y O N T H E B E A C H
What can I say? Life is a beach!
While this is sure to be lots of fun, the opportunity will be
taken to give some input on varying your writing styles and how
the medium impacts on the style -an important sensitivity to develop.
Sunrise and "champagne" with OJ will be followed
by a short discussion and an introduction to some interesting
"writing" instruments. This part will be brief to allow
as much writing as possible while the sun is still low and the
shadows deep. The last hour of the workshop will be spent on calligraphic
sculpture in sand.
Photographs
will be put
on a virtual pin board on this web site. We also hope to draw
some media attention. Sand sculpture has recently enjoyed a fair
amount of interest.
*
Level:
All levels of experience welcome.
*
All
you have to bring is a soft broom and a 5 or8cm wide paint brush.
Please note that the start time for this workshop
has been moved earlier. Please ignore the time stated on earlier
versions of the CFC Callibash programme. The reason for this is
to work with the tide, heat and weather and, most importantly,
to grab the best time of the day and suck the marrow out of it!
Here
are some relevant samples of my own "work". (The scupture
photographs didn't come out well. I'll put some others on the
web site later):


P
A V E M E N T W R I T I N G
This workshop has been inspired by
the Chinese calligrapher's tradition of writing on
the town square using
water and very large brushes. Crowds often gather and applaud
good work. The water evaporates and the "page" is ready
for the next piece. The first part of this workshop will begin
in this way with the use of gelatine-sized water while in the
second part we will use chalk, in the Western tradition.
While
this is sure to be lots of fun, the opportunity will be taken
to give some input on varying your writing styles and how the
medium impacts on the style. Writing on this scale is very satisfying
because of the level of control and insight into letter forms
which is achieved.
Photographs
will be put
on a virtual pin board on this web site. We also hope to draw
some media attention. Applauding crowds are not guaranteed!
*
Level:
All levels of experience welcome.
*
All
you have to bring is a broom, 3 paint brushes between 5 and 12cm
wide, one large pointed brush and a small bucket (1-2 litres).
Some examples will be posted to this site in the near
future.
